Culture 3 min read By Mason Emerson
Pedro Pascal Leads Tony Gilroy's 'Behemoth!' at New York Film Festival
Tony Gilroy returns to feature directing after 14 years with 'Behemoth!', a music-driven drama starring Pedro Pascal as a classical cellist in midlife crisis, premiering at the New York Film Festival.
Tony Gilroy is back behind the camera for his first feature film in 14 years, and he has brought Pedro Pascal along for the ride. «Behemoth!» premiered at the New York Film Festival, marking Gilroy's return to feature directing since 2012's «The Bourne Legacy». The film stars Pascal as a classical cellist navigating a midlife crisis, blending elements of a music drama, a romantic mystery, and a character study.
Gilroy, known for his sharp, sophisticated storytelling in films like «Michael Clayton» and «Duplicity», has spent the past decade largely focused on television, most notably the critically acclaimed «Andor». His return to cinema with «Behemoth!» has been met with anticipation, and early reviews suggest the wait was worthwhile. The film is described as a lyrical love letter to the music of the movies, with Pascal hitting all the right notes in the lead role.
The New York Film Festival screening places «Behemoth!» among the year's most prestigious premieres. The festival has long been a launching pad for awards-season contenders, and Gilroy's pedigree — including an Oscar nomination for «Michael Clayton» — positions the film as one to watch. Pascal's performance as a cellist in crisis adds another layer to his increasingly diverse career, following high-profile roles in television and film.
While plot details remain under wraps, the film is said to explore the intersection of art, ambition, and personal reinvention. Gilroy's script is expected to deliver the kind of intricate, character-driven narrative that has become his signature. The combination of Gilroy's return and Pascal's star power has made «Behemoth!» a focal point of the fall festival circuit.
The film's title, «Behemoth!», suggests a grand, perhaps overwhelming presence, fitting for a story about a musician grappling with the weight of his craft. Gilroy's decision to set the film in the world of classical music marks a departure from his previous work in thrillers and legal dramas, but his ability to weave complex emotional landscapes remains intact.
As the New York Film Festival continues, «Behemoth!» stands out as a testament to Gilroy's enduring talent and Pascal's range. The film is expected to hit theaters later this year, with awards buzz already building. For now, audiences at NYFF are getting the first taste of what could be one of the season's most talked-about releases.
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